Sir Richard Owen

Portrait
From Fossils: Evidence of Vanished Worlds by Yvette Gayrard-Valy

Sir Richard Owen's boyhood tutor once described him as "lazy and impudent" and predicted he would "come to a bad end." If the accusation of laziness was at any point a fair one, Owen obviously outgrew the defect, but the accusation of impudence was likely correct. According to some accounts, when his contemporaries described him as the English Cuvier, Owen was not exactly flattered; he considered himself superior to the French anatomist.

Owen combined exceptional brilliance with an exceptionally difficult temperament. On one occasion he suggested — partly because the institution was headed by an intellectual adversary — that the Royal Botanic Gardens at Kew undertake experiments in "turning urban sewage into fodder."

Owen was born in 1804. By the standards of the time, his youth was neither particularly catastrophic nor particularly easy. His father was a West Indian merchant who died when Owen was just five years old. He grew up in Lancaster in northern England. At 16, he was apprenticed to a local surgeon. He eventually moved on to London's Royal College of Surgeons, and impressed his anatomy teacher enough to be offered a position at the Hunterian Museum.

Once Owen began teaching at the Royal College of Surgeons in 1836, he delivered three lectures a week without ever repeating a single lecture in 20 years. He continued publishing until the age of 85, writing a mind-boggling total of more than 600 scientific papers. Owen's expertise in vertebrate paleontology knew no peers (except Cuvier himself). He was the person to see for interpretations of puzzling fossils. By examining a single femur fragment of a New Zealand moa, for instance, Owen deduced that it belonged to a giant flightless bird, and later discoveries proved him right. Within a few years, he received enough bone fragments to identify several species of extinct moa. He was, however, stingy in acknowledging the surgeon, John Rule, who brought him the bone fragment, and who suggested its avian nature, while Owen himself was initially skeptical. Owen's stinginess served him well; over time, he and his allies managed to bury the truth about a man no one had heard of and no less a literary figure than William Makepeace Thackeray eventually alluded to Owen's identification feat in The Newcomes.

Watercolor
Though intensely disliked by many fellow scientists, Owen was popular among some writers and artists. Ernest Griset painted this watercolor showing Richard Owen (right) and mineralogist Bryce Wright. From "Professor Megalow's Dinosaur Bones: Richard Owen and Victorian Literature" by Richard Fallon in Public Domain Review

His insistence on physical evidence emboldened Owen to reject commonly accepted evidence of cryptozoological creatures (such evidence being the testimony of reputable people), and his exceptional ability at examining physical remains enabled him to expose the occasional fraud, such as Albert Koch's "sea monster" really pieced together from fossil whales. Yet he had his own blunders. In 1868, evolutionist Thomas Henry Huxley pointed out a series of embarrassing errors Owen had made in his description of Archaeopteryx, and used Owen's mistakes to overthrow his interpretation that the fossil belong to a bird, not a transitional form between birds and reptiles. Today, birds are widely understood to be the descendants of theropod dinosaurs.

Owen's best-known contribution to science, however, was likely his combination of two Greek words: deinos ("terrible") and sauros ("lizard") in the early 1840s. He made the decision after realizing that the three extinct-reptilian species so far discovered — Megalosaurus, Iguanodon and Hylaeosaurus — had fused vertebrae in their hips. Politically, it was a brilliant move. For the previous two decades, the name associated with the great reptiles had been Gideon Mantell's. Now the name was Owen's, even though he had not really discovered anything new. But as paleontologist Michael Benton remarks, "we can be grateful to the old warthog" for the term "dinosaur."

Photograph
Owen's statue at the Natural History Museum. Photo by Michon Scott.
Photograph
Owen's vision of dinosaur articulation. Photo by Michon Scott.

Mantell, the original discoverer of the Iguanodon and Hylaeosaurus dinosaurs, was a long-suffering target of Owen's. Though his own work with Iguanodon was based on Mantell's, Owen refused to acknowledge as much, instead implying in his publications on the fossil that Mantell was incompetent. Owen did the same thing with another fossil find. In the early 19th century Mantell purchased some delicate fossil bones from quarry workers and described the bones as avian. Owen initially supported the interpretation, then later identified them — accurately but very publicly — as pterodactylian, without any advance warning to Mantell. After Mantell's death — when a portion of Mantell's badly injured spine was in Owen's museum to exhibit "the severest degree of deformity" — local geologists universally attributed an anonymous obituary deriding Mantell to Owen. It's no surprise that one biographer described Owen as a "social experimenter with a penchant for sadism." Indeed, Owen relished disputes — so long as he was winning them.

In general, Owen cared little more for evolutionists than he did for Mantell. In fact, Owen's relationship with Darwinian evolution was complicated. Sometimes Owen claimed credit for the idea; most of the time, he derided it. Often, he obfuscated. Some of his wavering might have been down to his determined social climbing; Queen Victoria didn't care for Darwinian evolution, and the queen's opinion mattered more than Darwin's.

Ironically, Owen and Charles Darwin were friends while young. When Darwin fell ill shortly after marrying, Owen was one of his frequent visitors. In studying his South American fossil finds with Owen at the Hunterian Museum, Darwin accumulated evidence for his theory of natural selection. Likewise, Owen developed a hypotheses of archetypes, or homologies, in which animals were all variations on an Ideal Type.

In finding these similarities, he unwittingly found evidence for evolution, which he did not accept, at least not publicly. In fact, Owen's homology has been compared to the "analogue" proposed by the early-19th-century evolutionist Geoffroy Saint-Hilaire. Owen might have expended some serious intellectual energy to avoid concluding the obvious.

In the early days of their acquaintance, when Darwin and Owen were on friendly terms, another friend of Darwin's warned him about Owen, "You will find him out one day." One day, Darwin did. As Darwin prepared to publish his masterwork on natural selection, Owen skillfully maneuvered him into proper position for an attack. After reviewing advance proofs of Origin of Species, Owen (1) criticized Darwin's statements beginning with "I believe" and "I am convinced" as unscientific, (2) insisted that Darwin not remove such statements as that would "spoil the charm" of the book, and (3) after publication, noisily criticized every instance of "I believe" and "I am convinced" as unscientific.

Darwin exacted sweet revenge for this. In later editions of Origin of Species, he included a historical sketch in which he acknowledged scientists who had in some way preceded him in understanding natural selection. He included Owen. In fact, Darwin went on and on about Owen and natural selection, devoting more than a page of text to his frenemy. Owen, meanwhile, predicted Darwin's book would be forgotten in a decade. Owen was mistaken; 150 years after the book's publication, Darwin got a Google Doodle.

In general, Owen maintained that the dominant life forms in Earth's history had arisen through special creation, without ancestors. When overseeing depictions of dominant life forms of the Mesozoic, he preferred distinctly mammalian articulations, to demonstrate their closer affinity with the dominant life forms of the Age of Mammals rather than the lowly reptiles of today. Evidence of Owen's beliefs about the Mesozoic can still be seen in the dinosaur sculptures at Crystal Palace, a park in south London. They look like eerie crosses between crocodiles and rhinos. Owen was second choice to oversee the project, after Mantell. That must have rankled, but Owen accepted the paychecks anyway. By the time construction started, Mantell had already published pictures of newly discovered Iguanodon forelimbs, showing them to be relatively small and delicate. No matter. Owen ultimately gave his stamp of approval to Benjamin Waterhouse Hawkins's elephantine lizard sculptures. Hawkins perhaps began to feel a similar level of frustration with Owen as Mantell; Owen repeatedly ignored pleas from him and from the Crystal Palace Company to visit the sculpture construction site. The mammalian articulation would eventually be overthrown by Louis Dollo, who found more extensive Iguanodon fossils.

Sketches
From Darwin's Universe: Evolution from A to Z by Richard Milner

By general consent, Owen was no nice guy, although a so-called lost sketchbook of his reveals a side of his personality that was surprisingly funny. Needless to say, his humor was dark. One series of sketches showed "The Primitive Age," "The Invention of Weapons" and "Of Deadly Nature."

Portrait
Owen portrait by Pre-Raphaelite painter William Holman Hunt. From "Rebels of Art and Science" by John Holmes in Nature.

A friend of the British royal family (when it was more powerful than it is today), Owen got to pass his final days in the grace-and-favor Sheen Lodge in Richmond Park, provided to him by Queen Victoria, and he got to party in the belly of a reconstructed Iguanodon. By lobbying the royal family, he played a crucial role in the establishment of the British Museum (Natural History) — now known as the Natural History Museum, London — in South Kensington.

Unlike some naturalists who studied organisms in their natural habitats, Owen was a museum enthusiast. He excelled and cleaning up and organizing museum collections, and identifying museum specimens. He also worked for years to make the Natural History Museum happen. Owen has left his mark throughout that museum, from the museum's overall design that evokes a cathedral to the terra cotta decorations depicting extinct animals to the plant illustrations on the ceiling panels. (Always more interested in animals than plants, Owen considered letting the herbarium sheets originally compiled by Hans Sloane go to the Royal Botanic Gardens, Kew. Once that became a distinct possibility, Owen suddenly found himself torn between a general lack of interest in plants and a desire to have control over everything. The desire for control won; the herbarium sheets are still at the museum.) Today the museum acknowledges Owen's sustained efforts to establish a "cathedral to nature" through numerous mentions in guide books and through a statue. But Owen's statue — looking almost clerical in long academic robes — has been relegated to a dark corridor at the back. The landing of the museum's central staircase now holds a statue of Charles Darwin.

The academic robe Owen's statue includes is no mistake. Owen frequently wore academic robes and liked to be photographed in them. The success of Darwin's Origin book wasn't the only thing that rankled Owen; Darwin's relatively affluent background also upset the comparative anatomist. Owen emphasized that Darwin was Mr. Darwin (not Dr. Darwin) and pointed out that the naturalist was "of independent means."

In his 2023 biography of Richard Owen, science historian Patrick Armstrong concludes the book with a musing on whether Owen might have been a narcissist. Armstrong writes:

It is as though there were two sides to his personality; he was the affable courteous intellectual in the company of those he deemed his equals (or his social superiors), those whom he saw as being useful to him, and members of his family and close friends. . . . But there was another side to Owen — the argumentative, petty, jealous, sometimes almost vicious and cunning individual who emerged when confronted by those he disliked, or whose opinions he did not share, or perhaps, very occasionally, whose opinions he did not dare to say that he shared.

Indeed, when one lives in a grace-and-favor lodge provided by a queen who doesn't care for evolution, it's safer to disdain the academic world's most prominent evolutionist.

Owen outlived most of his colleagues, including his nemesis Darwin. But longevity has its drawbacks; Owen also outlived his wife by almost 20 years and his only son, who committed suicide. And his final years saw growing acceptance of Darwin's theory. Sir William Flower, who succeeded Owen as director of the Natural History Museum, was an ardent evolutionist; Charles Darwin was commemorated with a statue in the museum 11 years before Owen received a similar honor. After his death, an Oxford professor described Owen in terms even less flattering than his boyhood tutor, namely as "a damned liar. He lied for God and for malice."

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